In 2010, Martin Scorsese released his adaptation of Dennis Lehane’s best novel, the story of a U.S. Marshal (Leonardo DiCaprio) who investigates a missing patient at a legendary mental hospital.
September, industry observers treated the Borat-esque, DEI-skewering film — a kind of anti-anti-racist lampoon — as a curiosity. A flash-in-the-pan in an era when the nonfiction film genre has ...