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New York Classical Review
3 天
Dessoff Choirs marks a century with an expressive Brahms Requiem
The performance Saturday afternoon at Town Hall by the Dessoff Choirs and Orchestra was more than just a concert. Certainly, ...
New York Classical Review
4 天
Mälkki makes both the new and familiar fresh and memorable with the Philharmonic
Though little more than a month has passed, the surprise of the New York Philharmonic season so far is how interesting it has ...
New York Classical Review
6 天
In New York debut, pianist Yukine Kuroki displays an uncommon touch
One wouldn’t say Yukine Kuroki, who gave her New York debut recital Tuesday in Carnegie’s Weill Recital Hall as first-prize ...
New York Classical Review
6 天
Dramatic moments yet Met’s “Trovatore”still a work in progress
This current stretch of the Metropolitan Opera’s season is all meat and potatoes, dense with revivals of Puccini and Verdi— ...
New York Classical Review
5 天
Hewitt’s style proves better suited to Baroque than Brahms at 92Y
Angela Hewitt and Johannes Brahms are both antiquarians at heart, immersing themselves in very old music—she to perform it in ...
New York Classical Review
7 天
Organist Mossakowski makes a mighty sound in New York debut
There are few visceral musical delights greater than an organ recital with its extraordinary display of colors and dynamics.
New York Classical Review
16 天
Kopatchinskaja sets London Philharmonic concert ablaze with Shostakovich
Shuddering and slashing in Britten’s Sinfonia da Requiem, drumming in Tania León’s Raices (Origins), carving expressive ...
New York Classical Review
12 天
Despite some rough edges, Payare’s return pays off with Philharmonic
At 44, Payare still gives off a youthful aura that recalls his roots in Venezuela’s fabled program for young musicians, El ...
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