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The New Criterion
5 小时
Innovation gone right
But conscious efforts towards its preservation are by no means misplaced, as ever-trending innovation threatens the ...
The New Criterion
5 天
“Seriously, the best thing I’ve ever heard”
Jay Nordlinger on the Philadelphia Orchestra, conducted by Yannick Nézet-Séguin, in the Mahler Third at Carnegie Hall.
The New Criterion
6 天
Tel Aviv’s Impressionism
Two other artists whose work has recently attracted attention also anchored the show. Although Henri Martin and Jakob ...
The New Criterion
3 天
Man of action
When, in his essay “The American Action Painters,” Harold Rosenberg described the “encounter” at the heart of the new ...
The New Criterion
12 天
San Diego’s fresh sound
Nathan C. Stewart is the Associate Director of the William H. Ralston Listening Library and Archive at the University of the ...
The New Criterion
12 天
Go ask Alice
Max Ernst was inspired by the tradition of German Romantic painters like Caspar David Friedrich. André Breton, Manifesto of ...
The New Criterion
4 个月
Week in review
Suzanna Murawski on smuggled goods, Adam & Eve & the history of drawing.
The New Criterion
10 天
Death and mourning on the Potomac
Paul du Quenoy on a recital by the baritone Lucas Meachem for Vocal Arts D.C.
The New Criterion
5 个月
The Critic’s Notebook
On falconry, Lord Byron, Soumya Netrabile, the OneMusic Project & more from the world of culture.
The New Criterion
1 个月
The Belle curve
On Balzac’s Paris by Eric Hazan & City of Light, City of Shadows: Paris in the Belle Époque by Mike Rapport.
The New Criterion
4 天
Week in review
When Amedeo Modigliani painted his fellow artist Chaïm Soutine in 1916 and again the following year, the resulting works were more or less orderly, the young man’s features carefully hemmed in by dark ...
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